There is a sculptural play on a bucking bronco, during which a gold, dragon-like creature shifts backwards and forwards when visitors insert a coin. Klingemann explains how he harnesses AI, creating works where the boundaries between human affect and machine creation become more and more blurred. Botto, as an example, is a project to create an entity that might be perceived as an autonomous artist. “It is about up as a hybrid between an AI that makes its personal creative choices and a group of human stewards that vote on Botto’s proposals and thereby curate the output and not directly steer the creative growth of the machine,” he says.
‘who Doesn’t Suppose They’re An Outsider?’ David Fincher On Hitmen, ‘incels’ And Spider-man’s ‘dumb’ Origin Story
For me, it was a love of drawing, pen and ink, watercolors, pottery and attending local theater performances. Goes Out publication, with the week’s finest …